Despite the canonized status of Virginia Woolf's To the Lighthouse as a quintessential modernist novel, I found the novel frequently reassesses what has come to be accepted as the modernist standards of visual agency throughout the narrative. This play on multiperspectival visuality becomes increasingly fractured and decentered as the novel shifts between character point of views and slips from one diegetic level to another, effecting a deconstruction of the classic (and highly patriarchal) account of visual subjectivity. In de-privileging the modernist agencies in phallocentric sight, the text fuses a visual and textual play informed by postmodern tenets, thereby opening a feminist visual space that challenges the monolithic visuality subsequent criticism has erected around both modernism and Woolf's novel.