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Kiyoshi Kurosawa and the Question of Cinema: Apocalypse and the Real
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Kiyoshi Kurosawa and the Question of Cinema: Apocalypse and the Real

Nicolas Vargas
University of West Florida Libraries
Master of Arts (MA), University of West Florida
2026

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Abstract

This study on the films of Kurosawa Kiyoshi engages with recent developments inpsychoanalytic film theory to conceptualize a cinema of subtraction that utilizes the gaze and empty form as a way to screen the real and incorporate the unconscious within cinema. By taking Kurosawa’s formalization of horror as foundational to his film practice, I will argue that he articulates the hard kernel of the real as the unsymbolizable gap that conditions the possibility of the visual. Horror as form, rather than genre, formulates the lack of a foundation within cinema.Cinema is horrifying because it is an empty form that undermines systematicity. Within the groundless space of cinema, Kurosawa develops the force of apocalypse as a rupturing event from the symbolic order. By analyzing how apocalypse functions as a rupture throughout his films, I argue for a psychoanalytically derived conceptualization of apocalypse as an emancipatory force by way of encountering the real as it is screened in cinema. I proceed through an analysis of apocalypse and the real in Cure, Charisma, and Bright Future to suggest how a cinematic ethics of the real can be thought through apocalyptic rupture.
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